Red rider and futuristic bike.png

KUROKO // AKIRA TRIBUTE BUILD

Fassounds - Topic LISTEN TO THIS

Kuroko Tribute Bike on display at FACT, Liverpool, from 17–24 April
to mark the Akira 4K re-release

Red Kuroko Akira-inspired motorbike side profile
Close-up of Kuroko Akira bike engine and fairing detail
Close-up of Kuroko Akira bike rear wheel and chain detail

Folded grey Kuroko Ink T-shirt with Bad for Comfort back print
Grey Kuroko Ink T-shirt with Bad for Comfort back print
Folded red Kuroko Ink T-shirt with Bad for Comfort back print
Red Kuroko Ink T-shirt with Bad for Comfort back print
Grey Kuroko Ink T-shirt with Bad for Comfort back print on Akira-inspired background
Red Kuroko Ink T-shirt with small front logo
Red Kuroko Akira-inspired motorbike photographed with neon lighting

Not Just Wrapped.
Built.

This piece was designed to feel visually excessive. I wanted saturation, tension and high colour. By removing bonded plastic parts and wrapping additional components, I pushed the bike beyond a standard finish and closer to something more graphic, artificial and robotic.

The red was chosen with intention. Rather than using a neutral modern red, I leaned towards a warmer, more orange-based tone that feels closer to the reds found in traditional irezumi.

Power tool used during the Kuroko Akira bike build process
Honda CBR motorbike stripped down during the Kuroko Akira build
Red Kuroko Akira-inspired motorbike in the workshop during the build
Portrait of the artist during the Kuroko Akira bike build
Handheld rivet gun used during the Kuroko Akira bike build

40 years later Neo Liverpool is about to explode

Kuroko Akira-inspired bike poster with rider and motorbike artwork
Kuroko Akira-inspired motorbike artwork showing rider in motion

I upholstered the seat by hand, choosing a colour that feels deliberately impractical. That contrast mattered. I wanted something unconventional — a decision that makes the bike feel less obedient to standard motorcycle design and more like an authored piece.
At the rear, I fabricated a solid wheel treatment inspired by the visual weight of Kaneda’s bike. It creates a heavier mass and a more  cinematic silhouette, bringing in a slightly dystopian,  post-apocalyptic feel.


The graphics themselves were designed and made by hand on my kitchen table. That DIY process is central to the work: tactile, obsessive, local and built through detail.

“Not just a bike. A statement.”